深圳科幻作家王诺诺的小说集《脑洞问答机：关于人类未来的20种想象》入围最佳原创图书奖，短篇小说《悦YUE》入围《科幻世界》最佳短篇小说奖1。近日，《书都·走读深圳》杂志举办首场"文学现场"线下活动，王诺诺作为首位"书都作家"与多位嘉宾围绕科幻文学的创作与发展展开讨论1。
王诺诺在活动中阐述了科幻创作的三个基石：技术审美、现实意义以及描述未知（Sense of Wonder）1。面对AI时代的挑战，她指出AI最大的影响在于改变阅读习惯，定制化私人小说会挤压传统文学的生存空间1。对此，与会嘉宾李晓锋认为"写作是个人心灵的抒发"，AI只能是辅助工具1。
马国宾在活动中提出了对深圳文学未来的愿景，表示"深圳就是一座活体的科幻城市。未来几十年，深圳要搞的就是'未来文学'"1。《书都·走读深圳》杂志自第58期开始设立"文学现场"专栏，王诺诺是首位"书都作家"1。
Science fiction writer Wang Nuonuo's short story collection "Brain Hole Q&A Machine: Twenty Imaginings About Human Futures" has been shortlisted for the Best Original Book Award, while her short story "Yue YUE" has advanced to the final round of the Science Fiction World magazine's Best Short Story Award competition.1 Wang serves as a featured author for a newly launched literary initiative that reflects the city's growing commitment to speculative literature.
The "Literary Scene" column debuted in the 58th issue of the "Book Capital: Walking Through Shenzhen" magazine, with Wang Nuonuo becoming the inaugural "Book Capital Writer".1 The magazine's first offline event brought together writers and literary figures to examine the foundations of science fiction creation and the challenges posed by artificial intelligence in contemporary writing. Wang identified three pillars of science fiction writing: "technological aesthetics," "realistic significance," and the "sense of wonder" that describes the unknown.1 She further argued that AI's most significant impact would alter reading habits, with customized personal narratives potentially displacing traditional literature.1
The discussion reflected broader perspectives on writing and technology. Li Xiaofeng contended that "writing is an expression of individual spiritual experience," with AI functioning merely as an auxiliary tool.1 Meanwhile, Ma Guobin advanced a vision for Shenzhen's cultural trajectory, declaring that "Shenzhen is a living science fiction city—what Shenzhen needs to pursue over the coming decades is 'future literature'".1
评论
还没有评论，欢迎留下第一条。